The FDA’s UVA Stalemate, BOGO Implants, And More…

June 28th,2010    by Eric

81989711 Three years after the FDA proposed a four-star system to rate sunscreen’s effectiveness against UVA rays, not just UVB rays (which are connoted by SPF), U.S.-produced sprays and lotions remain without acceptable consumer guidelines, making our sun protection arsenal inferior to products sold in Europe. Luckily, lobby groups have no influence over international shipping. [NYT]

Think looks don’t matter? Deborah L. Rhode’s new book, The Beauty Bias: The Injustice of Appearance in Life and Law, begs to differ. All that “beauty is in the eye of the beholder” business? Rhodes isn’t buying it. “Most beholders agree on certain key characteristics,” Rhodes alleges. But, like, what’s so wrong with appreciating facial symmetry and unblemished complexions? [Washington Post]

BOGO breast implants are here. In an effort to lure the beauty-obsessed back to the plastic surgeon’s office in the midst of an economic downturn, certain clinics are advertising buy-one-get-one-free breast implants and other such “deals.” Beware the $8 botox injection. [Stylelist]

You might want to consider taking precautions with the full-priced version, as well. After a study surfaced last month claiming that botox’s face-freezing toxin could actually create more wrinkles while diminishing others, a new report suggests that the popular injectable may also reduce your ability to feel emotions. Well, at least you wouldn’t have to worry about more smile lines, eh? [WebMd]

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The Ornamental Male Gets a Showcase on the Runways of Milan

June 24th,2010    by Eric

THANK heaven for gigolos. They grow up in the most delightful way. They wend their adorable persons into the plush upholstered boîtes of European five-stars and into A-list parties in Marbella and onto yachts at St.-Tropez. They park themselves semi-permanently on the Internet where, despite the best efforts of the law and bluenosed flaggers, they prove the wisdom of Colette’s observation that not everything in life is better if it’s free.

They also turn up on Milan runways, well packaged as rent-boy types — or at least their symbolic stand-ins do. During a season that otherwise lacked excitement, they brought a certain frisson to the men’s wear shows.

The charms of a largely ornamental male with lots of leisure time were subtly referenced at labels like Giorgio Armani, Ermenegildo Zegna and Bottega Veneta; danced around at Prada; frankly noted at Gucci; and used as the stylistic cornerstone at Dsquared, a label whose designers, Dean and Dan Caten, seldom present a concept subtly if they can hit you on the head with it, like a safe pushed off a ledge.

The set for the Dsquared show may have looked like a goofy cut-rate copy of that in the gorgeously detailed Paul Schrader thriller “American Gigolo.” Yet the key details were in place: a ceiling-hung bar of the kind from which Richard Gere’s character, Julian Kaye, hung while exercising; the reflective chrome Modernist chaise longue; all the mirrors an occupational narcissist might desire. In Mr. Schrader’s Calvinist worldview, the gigolo is a hapless cipher, a soulless parasite. In that of Dean and Dan Caten, he’s a happy-go-lucky lug with plump pectorals, a stash of Viagra and a cushy job.

Rarely do the Catens miss an opportunity to haul the masculine archetypes out of the gender toy chest: Boy Scouts, cowboys, motorcycle gangs and truckers have all turned up at one point or another. Typically they play sexuality for laughs; yet here they were surprisingly affectionate in showcasing their gigolos in jackets with high armholes, and tailored longer than the customary kiddie-department length.

They presented khaki suits with trousers whose tiny pleats were more decorative than functional, with no built-in accommodation to expanding behinds. They showed creased bluejeans with long rises and waists so high that one editor gasped “Radical!” as those around him fingered their rosaries: “Please, Lord, don’t let this look catch on.”

They showed double-breasted blue blazers with dropped-waist closures; fingertip-length trench coats in a color best described as pimp gray; and a particularly handsome melon-colored jacket, worn with Kelly-green shorts and a blue oxford cotton shirt. The belt was a preppy surcingle. Now you know how to dress your paid companion when you invite him for drinks at the Meadow Club.

The type of guys known as Suits are to the post-recession era what The Man was to the radical ’60s. No one trusts them. Fewer men wear suits, either, if they can help it, and one clear reason is that, regardless of which label you own or how well you style it on interview day, the gloomy statistics are there to nag you with a reminder that the jobs aren’t there. So, rather than focusing on Masters of the Universe dressing, other designers besides the Catens were attracted to another form of currency: the primal, sexual kind.

Perhaps not everyone in the audience detected the libidinal currents coursing through Frida Giannini’s show for Gucci — which was immediately judged by the boo-birds of the front row to be too quiet and too dull — but some in the audience thought it one of the designer’s most assured. Yes, one had to get past the characterless line-up of jailbait models (memo to casting agents: Milan Needs Men), and the handbag parade that owners insist on and designers hate, and focus on the apparel. But then an image began to assemble.

The picture that emerged as the clothes went by — stovepipe trousers; hippie scarves knotted at the throat; silk shirts patterned with swirling martingales — was of a Gucci customer from the label’s finest hour, the Dolce Vita ’60s. Ms. Giannini noted that the particular man she had in mind was John Paul Getty III, the drug-addled heir to an oil fortune, who as a youth was irresistible to many, including the goons who kidnapped him in 1973 and cut off his ear as part of a ransom scheme.

Pity poor Mr. Getty. But don’t mistake him, as Ms. Giannini did, for his stylistic betters, the gorgeous, irresistible, impeccably tailored and ludicrously vain peacocks of the early Jet Set era, men with names most Americans have never heard. Without such characters as Gigi Rizzi, Gianfranco Piacentina or the consummately stylish actor/lady-killer Walter Chiari, it would be impossible to imagine the sartorial sleekness of “Mad Men” or, for that matter, the career of Tom Ford.

The look affected by film idols of the era — Sean Connery, Steve McQueen, James Coburn, Richard Burton and even the United States president of the time, whose nautical interests inspired Tod’s to introduce a handsome handmade boat shoe here named for J.F.K.’s launch, the Marlin — owed a considerable debt to Europe’s then-new breed of playboys. In the spirit of postwar liberation, those handsome gents delighted a public that, thanks to the paparazzi, was newly attuned to their antics. They shrugged off the tedium of actually earning money and satisfied themselves (and presumably their partners) by parlaying their indolent charm, sexual skills and knack for being well-turned-out into a livelihood.

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Rocked by Waves of Drumrolls

June 23rd,2010    by Eric

The ducks that frequent Central Park Lake are used to keeping clear of people in rented rowboats lurching about the water. But on Monday afternoon they looked rattled by the strange sights and stranger sounds coming from makeshift platforms floating in the middle of the west side of the lake.

The event was a rare performance of “Persephassa,” by the Greek composer Iannis Xenakis, a piece for six percussionists first heard in 1969 at the Shiraz Festival in Iran. This ambitious undertaking was a high point of the fourth annual Make Music New York, a one-day festival that promised more than 1,000 free events in parks, squares and streets in every borough of New York.

Besides being a path-breaking modern composer, Xenakis, who died in 2001, was a music theorist and an accomplished architect. Like many of his works, “Persephassa” has a spatial element. He intended the percussionists to be placed far from one another in a hexagonal formation with the audience in the middle. The 30-minute piece has never been performed on a lake, the producers say.

A veritable flotilla of rowboats made it to the west side of the lake on a hot, clear afternoon to hear “Persephassa.” Mostly there were four people to a boat. In mine, George Grella, a composer and critic who has a music blog, The Big City, heartily took on the rowing duties — proof that newspaper and blog critics can live in harmony.

Two percussionists were stationed in gazebos on the shore; another performed from a bluff of rocks. Three others played on plywood platforms, constructed by Floating the Apple, atop two boats secured together. These boats had two rowers charged with keeping the platforms relatively steady.

Along with the percussionist Steven Schick, formerly of the Bang on a Can All-Stars and a Xenakis expert, and Doug Perkins, formerly of So Percussion, the accomplished performers included Greg Beyer, Nathan Davis, Robert Esler and Brett Reed. Since they were too far apart to communicate directly, they listened to a click track of audio cues through earphones.

It took time for the platforms to be moved into place. Audience members, in scores of rowboats, grew restless waiting and started their own percussion piece by breaking into rhythmic clapping. But by 4:45 p.m., a half-hour late, the first of two performances began.

The percussionists played myriad instruments: drums of all sorts, wood blocks, whistles, cymbals, sirens, maracas, pebbles, gongs and metal sheets to emulate thunder. The piece began with waves of drumrolls, spiked with flecks of sounds from maracas and somnolent gongs. Soon the music took off, and there were rhythmic volleys and overlapping bursts from all directions.

Though the lake was a wondrous setting for the music, water is not the most conducive surface for sound dispersal. Sometimes, during agitated episodes of the piece, I would see a distant percussionist on shore flailing his arms but could not really hear anything. The musical experience also varied according to the position of your boat. Most drifted about or moved slowly, often gently colliding.

For one long stretch “Persephassa” grew hushed and restrained, with minimal sounds and musical activity. I was impressed by the way most people entered into the spirit of the piece and listened attentively from their boats, hardly talking. Some closed their eyes meditatively.

But the last 10 minutes of Xenakis’s work was a riot of pummeling rhythms, pounding drums, thunderous waves and shrieking whistles. The performance earned a prolonged ovation. Then the boats made the trek back to the boathouse, where a long line of people waited to head out for the second shift.

There were other Xenakis events in Central Park for the festival on Monday. The Yale Percussion Group played Xenakis works at the Naumburg Bandshell at 12:30 p.m. I missed that performance so I could take in the first of three presentations of Xenakis’s experimental, otherworldly opera “Oresteia” at the Swedish Cottage Marionette Theater, a production by the Italian choreographer and stage director Luca Veggetti. The music was recorded, taken from the acclaimed production of the work at the Miller Theater in 2008, also directed by Mr. Veggetti, with Steven Osgood conducting the International Contemporary Ensemble, vocal soloists and three choirs. The 75-minute opera, which tells the mythical saga of King Agamemnon’s dysfunctional family, has a libretto in ancient Greek.

For this bare-bones production, Mr. Veggetti, who had never directed a puppet show, used basic rehearsal marionettes that looked like mannequins, sometimes draped with a cape or a dress. But the sparseness gave the puppets a mystical aura. There were riveting scenes, as when Cassandra, wailing away with her premonitions, was shown as a figure in a blood-red dress, hobbled with dismay. And the Furies who attack Orestes for having murdered his mother, Clytemnestra, were inventively depicted by wildly lapping fabrics from the sides of the small stage.

Audience members were allowed to come and go, an informality that undercut the ritualism of the performance but was completely in keeping with the street-fair spirit of Make Music New York. By the end the theater was packed. And how cool is it that attendees at a free music festival turned out so eagerly to hear thorny works by Xenakis in Central Park? Only in New York.

A version of this review appeared in print on June 23, 2010, on page C1 of the New York edition.

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Australia mourns mining executives after Congo crash

June 22nd,2010    by Eric

Tributes have been paid in Australia to mining magnate Ken Talbot, after officials in the Republic of Congo found no survivors in the wreckage of a plane that disappeared on Saturday.

The aircraft came down in dense jungle, killing Mr Talbot and the entire board of the Sundance Resources mining firm.

Foreign Minister Stephen Smith said retrieving the 11 bodies would be a "long and painstaking process".

Mr Talbot was among Australia's richest men, with a $840m (£567m) fortune.

The wreckage was spotted on Monday by rescuers searching by helicopter in the Republic of Congo.

French military personnel, who were dropped at the crash site, confirmed there were no survivors.

Australian mining contractors are expected to start clearing a path through the jungle on Tuesday, Sundance Resources said in a statement.

The 11 mostly Australian mining executives were travelling from Cameroon to Republic of Congo to visit an iron ore project.

Mr Talbot was travelling with five other Australians, one American, two Britons and two French nationals.

Mr Talbot, 59, was a non-executive director of Sundance, with an estimated wealth of $840m (£567m), according to BRW business magazine's latest rich list.

Trading in shares of the Perth-based company has been suspended on the Australian Stock Exchange, and analysts say there could be a significant markdown in its value given the uncertainty of the current situation.

For an entire board to share the same flight breaches traditional corporate protocols, though colleagues say they did not appear to have any choice.

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Prom queen knows how

June 21st,2010    by Eric

c66bb97a-2f20-457e-a623-edce3379fe3d Clueless, the epic high school comedy has not only left a mark on the entire movie genre, but its lead woman Cher, your average spoiled prom queen, pretty much sums up 90s fashion. Dressing up in hats and blouses paired with cute high-waist skirts Cher’s looks are both classic and fancy. The cute party dresses – body hugging and short are debated with heat in a scene between Cher and her father: ”What is that?”, ”A dress.”, ”Say’s who?” to which Cher quickly replies ”Calvin Klein”. It’s this undoubtful sense of humor that makes this movie a winner and a great map of what the 1990s was all about.

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On air: Is it ever OK to boo your own team?

June 19th,2010    by Eric

As he left the pitch following England's disappointing 0-0 draw against Algeria, Wayne Rooney turned to the television cameras and, his voice dripping sarcasm like honey dripping from a knife, said: "it's nice to see your own fans booing you."

The comments have instantly made "Wayne Rooney" a trending topic on Twitter - and most of them are, it has to be said, rather negative.

Here's himoffwireless, with a slightly edited reference to a famous advertising campaign:

Plane ticket: £500, football ticket £150, Wayne Rooney moaning on live TV cos you're booing him for playing badly - priceless

And it's that reference to the costs that have riled so many people. A caller to the BBC's domestic news and sports and station, 5live, phoned their England discussion show after the game pointing out that his brother had taken out a £5,000 loan and taken a large amount of time off work to go and see the game.

Having made such sacrifices to see England, does that entitle fans to boo?

England's captain Steven Gerrard said in his post-match comments that,

"We have to take that on the chin, they're entitled to their opinion."
But how much can booing a side ever really help them?

They are not, after all, likely to spring to life in the face of a negative reaction from the crowd. England players have previously spoken about how they disliked playing at Wembley, because of the way the fans would get on their backs.

And to make matters worse, it usually during the final, crucial stages of a match.

Rooney's strike partner Jermain Defoe summed up the dilemma:

"Obviously you can understand fans' frustration, they travel miles and miles... but it's important for fans to stick by us... keep supporitng us and we'll try and put things right on Wednesday."
Is it ever ok to boo your own side?

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Atonement

June 18th,2010    by Eric

dda92dae-5cab-4374-804b-54ac1cb89f77 Not many actresses have the old school allure that Keira Knightley possess. She’s been to skinny, to ugly, to pretty, to sexy, to much in fashion and to out of fashion during her 10-or-so year in the limelight. All usual traits actresses are labelled with, Keira’s managed to stay untouched of it all, persistently continuing on projects she belives in and characters she finds interesting. A beauty of this kind, imagine our great anticipation when Atonement released their first teaser posters of her wearing a sheer floral dress, eyes and faced turned the other way as if unfocused on the plot at hand, daydreaming elsewhere. The set, scenes from the late 30s to mid 40s on the countryside where the consequences of world war two slowly become apparant, stands back for the beautiful love story that is summarized in the tagline You Can Only Imagine The Truth. The hair, the nature, the costumes, the decieveing characters all come together perfectly in this slow speed drama. The sex scene (nudity is basically a no-show) where lust and intense passion floods over is the perfect outtake from Atonement: as lust is finalized Keira, wearing a deep green silk dress, drops her shoe: a half-high slingback heel.

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A Record-Smashing Sea Journey, and Not for Its Speed

June 17th,2010    by Eric

ABOARD THE ANNE, off New Jersey — After 1,152 days meandering the world’s oceans on a 70-foot schooner he built himself, Reid Stowe plans to sail into New York on Thursday afternoon and claim the record for the longest sea voyage in history — eclipsing a century-old record by almost three months. But it is not ending exactly as planned.

When the journey of the Anne began in April 2007, there were two travelers intent on staying out of sight of land for a thousand days. Mr. Stowe, 55, a veteran sailor, was with Soanya Ahmad, 23, a recent City College graduate who had never been at sea. She did fine at first, but was forced to leave after 10 months when she felt overcome by seasickness — which turned out not to be seasickness.

Ms. Ahmad transferred to a local yacht near the Australian coast and returned home to Jamaica, Queens, to deliver their son, Darshen, now 23 months. Mr. Stowe went on sailing alone. When he pulled into New York Habor and moored off Sandy Hook on Wednesday afternoon, he said it was his first glimpse of land in more than two years.

“The first people I’ve seen in years!” he shouted happily, as a boat carrying a United States Customs officer and half a dozen other people approached his schooner. It looked much the worse for wear; he did not.

“I was never lonely once in the whole voyage,” he said, once he had welcomed aboard his first visitors. “Being alone in the wildness and beauty of nature is an enlightening experience.”

He viewed his trip in the tradition of religious hermits who go off by themselves: “You not only enlighten yourself, but you nourish the spirit of your culture.”

To the uninitiated, those might sound like the words of a man who has been too long at sea by himself, but not to the friends and sponsors of Mr. Stowe’s expedition. During his years living at a pier in Chelsea aboard the Anne, he became known as a singular blend of mariner, mystic, carpenter, painter, sculptor and New Age philosopher.

During the voyage, he spent much of his time sewing torn sails and performing other maintenance, like repairing the the bowsprit after a collision with a freighter. He sustained himself with regular yoga and mediation, subsisting on rainwater, fish and sprouts grown on the boat, along with beans, cheese, oatmeal, pasta and rice.

“I’ve still got enough food left for another year,” he said, inviting his guests to a meal of dried dates, nuts and Parmesan cheese that tasted remarkably good after three years at sea.

He said he had not been sick or injured the entire trip, and he credited his health to his diet, especially the sprouts, which he ate twice a day. “Sprouts can save the world,” he said.

The hardest part of the journey, he said, was saying goodbye to Ms. Ahmad, but he felt compelled to finish the voyage.

In an interview on Tuesday, Ms. Ahmad said she understood. “There was really no question of him abandoning the journey,” she said. “Before we left, we had an agreement that if I wanted to leave, he would go on by himself. It was for the best. If he had come back, he would still be planning on doing the whole 1,000-day trip again. It had been an obsession with him since the 1980s.”

It took Mr. Stowe two decades to find sponsors for the trip, which was billed as the Mars Ocean Odyssey: a voyage to study the stresses on an isolated, self-sustained crew over the length of a Mars mission. During his search for sponsors, he had assured Jeff Blumenfeld, the editor of Expedition News, a monthly newsletter about explorers, that he would be prepared for all contingencies of a long voyage by taking the proper supplies, including contraceptives.

Reminded on Wednesday of that promise, Mr. Stowe grinned and said: “People make mistakes. Things happen. We sure didn’t want it to happen. But now that it has, I see it as a positive.”

After Ms. Ahmad went home, he began calling it the Love Voyage. With his supporters in New York tracking his route by satellite, he set a course in the South Atlantic that traced a gigantic heart in her honor.

Another of the goals was to break the record for the longest sea voyage: the 1,067 days that the crew of a Norwegian ship, the Fram, was away from land in the 1890s, when it became frozen in Arctic ice during the explorer Fridtjof Nansen’s attempt to reach the North Pole.

Mr. Stowe is to be greeted at a pier on West 42nd Street by Ms. Ahmad and the son he has never seen. During the journey, in the blog, 1000days.net, that Mr. Stowe wrote on a computer (until it broke last year) and dispatched by satellite phone, he mused on his responsibilities to Ms. Ahmad and Darshen.

“They are not the first woman and child to wait for their man to come home from the sea,” he wrote. “It is the most ancient of stories.”

Well, yes, it is an old story. Penelope waited during Odysseus’ 10-year voyage home, and they were not able to hold weekly conversations by satellite phone, as this couple did. Then again, Penelope did not have to welcome back a sailor who had been all by himself for two years. Might readjustment to family life be a little difficult for everyone?

“I’m not apprehensive,” Ms. Ahmad said. “I doubt he is. Before, he’s gone out for 100 days, 200 days, and he’s been his usual old self.”

For his part, Mr. Stowe looked anything but apprehensive. He showed a berth on board that he had converted for his son, and said he looked forward to the family living together on the boat on the New York waterfront.

And what, besides seeing his family, was the first thing he wanted to do once he set foot on land? “I have no wants at all,” he said. “I want to make everyone happy. I want to share the story.”

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'Bullying' link to child suicide rate, charity suggests

June 13th,2010    by Eric

As many as 44% of suicides among 10-14 year olds between 2000-2008 may be bullying-related, a charity suggests.

Beatbullying said 26 out of 59 cases of child suicide reported in the national media were linked to bullying.

The charity admitted it had scant information but believed up to 78 of 176 such cases in England, Scotland and Wales were victims of bullying.

It called for transparency and easier access to data on child suicide and more research into the causes of it.

Its report was published to mark the second anniversary of the death of 13-year-old Sam Leeson.

The bullying prevention charity looked at child suicide data recorded by the Office of National Statistics, before searching a database of press reports.

The charity's research indicates that at least 14% (26 out of 176 recorded cases of child suicide) were linked to bullying, but it asserts the true number is a lot more.

The charity said it only chose cases where bullying had, without a doubt, been a contributing factor in the child's decision to end their life.

Call for action
The research was then independently verified by Dr Benjamin Richardson at Warwick University.

Emma-Jane Cross, chief executive of Beatbullying, said: "The connection between bullying and child suicide is undeniably clear and the lack of clarity and research in this area is unacceptable.

"We need action and we need it now."

She called on the coalition government to honour its commitment to reducing bullying in schools and to back the funding of anti-bullying programmes in every school.

Ms Cross said analysing the data had been a challenge because of the "worrying lack" of information available and the "complex controls around the release of information concerning child suicide in the UK".

The charity's research indicates that 65% of the 29 suicides reported by the media and linked to bullying were carried out by young girls.

The charity's deputy chief executive Richard Piggin told the BBC: "We fully acknowledge there are complex reasons why young people take their own lives. We want to know what the causes are."

The research also discovered that 1,769 15-19 year olds killed themselves during the same time period.

Mr Piggin said the charity had not yet investigated those deaths any further.

Beatbullying called for more to be invested into schemes such as its peer mentoring website, CyberMentors. The social networking site provides help for young people who are being bullied online.

Sam Leeson's mother Sally Cope also urged the government to take action and make it easier to access information on child suicide.

She said: "Two years ago my 13-year-old son Sam took the tragic decision to take his own life as a result of bullying, so I know from personal experience just how devastating the consequences of bullying can be, and the void Sam's death has left in my family."

Last year an inquest into the teenager's death heard police computer experts had found no evidence of "cyber-bullying", nor was any evidence of "traditional" bullying submitted to the hearing by his school or family.

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Cameron and Obama to discuss BP oil spill

June 12th,2010    by Eric

David Cameron will discuss the Gulf of Mexico oil disaster with President Barack Obama later.

The prime minister has said he is "frustrated and concerned" about the environmental damage caused by the leaking well - owned by BP.

But Downing Street says the telephone conversation with the US president will be "statesmanlike and workmanlike".

BBC business editor Robert Peston said BP was now likely to bow to US pressure and suspend dividends to shareholders.

The oil giant's directors will meet on Monday to discuss the possibility.

Our correspondent said: "It has taken a while for BP's board to reach the decision that if President Obama wants them to stop paying dividends, perhaps it would be sensible to do so.

'Resources to cope'
"It is looking more likely BP will cease paying the £1.8bn of dividends per quarter it's been delivering to shareholders - until, that is it, can quantify the final bill for the oil debacle and prove it can afford those enormous costs."

He added: "Even if those costs exceed £20bn, as analysts expect, BP feels it has the resources to cope."

Oil has been leaking into the Gulf since the Deepwater Horizon rig exploded on 20 April and sank off the coast of the US state of Louisiana, killing 11 workers.

As much as 40,000 barrels (1.7m gallons) of oil a day may have been gushing from a blown-out well before it was capped on 3 June.

Mr Cameron and Chancellor George Osborne have already spoken to BP's chairman, Carl-Henric Svanberg, about the crisis.

A Downing Street spokesman said Mr Svanberg had told Mr Cameron that BP would "continue to do all that it can to stop the oil spill, clean up the damage and meet all legitimate claims for compensation".

Mr Svanberg is due to visit the White House next week.

President Obama's criticisms of BP - and in particular its chief executive Tony Hayward - have been consistently blunt.

And some UK businessmen have accused the president's team of using "anti-British" language when discussing the spill.

But Liberal Democrat Energy Secretary Chris Huhne said he expected talks between the two men to be amicable and productive.

"It's in our joint interest to make sure that BP is able to go on functioning as an effective oil company, but first and foremost we have to deal with the environmental disaster," he said.

BP employs 10,105 people in the UK and it is estimated that about 18 million people in the UK either own BP shares or pay into a pension fund that holds BP shares.

The company's shares finished up 7.2% on the London Stock Exchange on Friday, recovering losses suffered on Thursday.

Its share price has almost halved since the oil spill began.

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